In Macbeth in Compton, Lady M, once a feared street rapper, ignites her partner’s ambition to take out King Duncan and seize the throne of their block. Over a night charged with lust, manipulation, and raw Shakespearean verse, the couple plots Duncan’s murder while visions of power consume them. When the moment comes, Mac hesitates, but the struggle turns deadly—leaving him crowned in blood and haunted by what he’s done.

派拉蒙影业公司（Paramount Players）拿下了《康普顿一夜》（One Night in Compton）这个项目方案。这是一个科幻动作项目，由肯尼亚·巴里斯（Kenya Barris）担任制片人。曾执导Quibi系列剧《与莫里斯·哈里斯的核心之作》（Centerpiece With Maurice Harris）的罗汉·布莱尔 - 曼加特（Rohan Blair - Mangat）将凭借《康普顿》开启他的电影导演处女作，该片剧本由斯坦利·卡卢（Stanley Kalu）撰写，两人将共享故事创作署名。

A comedic journey follows Problem as he risks life and limb in hopes that at least one good deed goes unpunished. Based on events that could be from his real life, Problem squeezes in the everyday occurrences that a black man can go through whether famous or infamous.

Two of Compton's Finest, Det. Blackman and Det. Vargas are on the hunt for Columbian drug lord Silk Delgado who is flooding the streets of Compton's with the world's most deadliest drug called "The Devil's Breath".

An intergenerational discussion about the legendary riot that predates Stonewall.

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Hallmark Hall of Fame's second version of Shakespeare's classic play, with the same two stars and the same director as its first version, but a different supporting cast.

Another take on the 1960 version, with a different production team and some of the same cast.

Macbeth (Maurice Evans), the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his King and takes the throne for himself.

Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.